At the end of this year (2020), I will have pursued my singular passion for photography for a full five decades. Although my focus as an exclusively environmental photographer (as I call it) is very narrow, I would like to regard myself as a serious photographer first, and then as a crafter of images of the environment, its flora and its fauna.
The Nature of Nature - African wildlife and environmental images, stock photography and fine art prints.
Showing posts with label predation. Show all posts
Showing posts with label predation. Show all posts
Friday, 4 December 2020
ON PHOTOGRAPHY: Maximising the Odds of Photographic Expression – 1. Being a Black-backed Jackal
At the end of this year (2020), I will have pursued my singular passion for photography for a full five decades. Although my focus as an exclusively environmental photographer (as I call it) is very narrow, I would like to regard myself as a serious photographer first, and then as a crafter of images of the environment, its flora and its fauna.
Thursday, 26 November 2020
REMINISCENCES: Sojourn in the Mountain-Lands of Kruger
In a previous blog, I mentioned and explained my devotion to the central and northern regions of the Kruger National Park, South Africa. I also pointed out several reasons why I had neglected the southern sections of this magnificent park during the past decades. Yet, following a very brief trip to the southwestern region of Kruger in early 2017, I had vowed to return before long to the previously shunned expanses of the park.
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animal behaviour,
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bird photography,
birds,
environment,
flora,
Kruger National Park,
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mammals,
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predation,
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Tuesday, 24 November 2020
ABOUT THIS IMAGE… ‘The Hunter and the Hunted’
I have a vivid memory from my boyhood days of catching sight in a photography magazine of a dramatic image of a Black-backed Jackal hunting Cape Turtle-Doves at one of the many water holes along the Auob River in the then Kalahari Gemsbok National Park (now the Kgalagadi Transfrontier National Park) in the Northern Cape Province of South Africa. The photograph left an indelible impression on me at the time. The jackal was shown in full flight, jaws wide open, about to snap shut on a turtledove, one of many that had exploded upwards from the waterhole. The drama was captured at just the right moment; no contact had yet been made between hunter and prey, yet the image left no doubt about the inevitable outcome – the turtledove would be snatched despite its frenzied breakaway and the jackal would have its meal.
Sadly, I can not recall the photographer who portrayed this drama (and I apologise for this lapse of memory). Since this iconic instant was captured on slide film (in good light, with appropriate exposure and exceptional composition and drama), countless photographers repeatedly have attempted to recreate this singular image – none has succeeded to get it just right. Inevitably, the numerous published attempts have depreciated some of the uniqueness of the original photograph, yet it remains outstanding and unequalled to this day.
Once glimpsed, many exceptional images are stored away safely in a corner of my mind. I reimagine them repeatedly for their sheer brilliance of circumstance, camera technique and photographic vision. These outstanding achievements act as a constant reminder to myself to up my own game, to refocus and to re-sharpen my own interpretation of selected scenarios in nature and to hone my own personal vision in photography.
Several years ago, I had the good fortune to spend almost two weeks in the Kgalagadi Transfrontier National Park. I avoid copying an image of another photographer at all cost; however, I too felt the need to capture some of the relationship between the Black-backed Jackal and the Cape Turtle-Doves of the Kgalagadi. Despite my relatively short stay at Nossob Camp, I decided to dedicate two full mornings of photography to my own attempt at a different interpretation of the relationship between these hunters and their prey.
On two mornings of the trip, I took up position at a waterhole that I had selected for this task. Other than focussing on my previsualised mini-project, I remained receptive to all of the many interactions happening at this one locality. On both mornings, the low thorn-trees surrounding the waterhole were chockfull with feathered folk. Hundreds of doves descended from the trees onto the rocky rim of the waterhole once a small number of them had scraped up sufficient courage to do so. After settling on the ground, it took only a few jittery individuals, taking off in panic, to trigger a swirl of doves to ascend back into the air, to flail around the waterhole in wide circles and finally to settle down again on the thorn-trees.
Each morning, several individual jackals kept trotting in to the waterhole to quench their morning thirst. A few times, individuals snapped at turtledoves, but only half-heartedly – no jackals showed any determined attempt to start hunting doves. Nevertheless, the time I spent at the waterhole proved fruitful – I managed to capture doves in flight, several other small seedeaters, several portraits of jackals and even lions coming for a drink.
It had never been my intention to copy the image of the jackal hunt of turtledoves that I can recall so clearly from boyhood. I needed to attempt my own photographic summary of this interrelationship between hunter and the hunted. The first morning allowed me to observe the dynamics of the Cape Turtle-Doves and the Black-backed Jackal – how both species acted while on their own and when in the presence of the other. The first morning thus produced images of the Cape Turtle-Doves and the Black-backed Jackal separately – in particular, the difference in appearance and behaviour of individual jackals fascinated me, as did the haphazard explosion of doves from the rim of the waterhole.
By the second morning, I felt confident that I could capture the relationship between the hunter and its prey. I had seen that the turtledoves would lift off en masse whenever a jackal approached the waterhole. I knew that I would not witness a hunt; yet, I had previsualised a scenario where I could possibly snap the portrait of a jackal surrounded by flying doves. With this in mind, I concentrated exclusively on the shenanigans of the turtledoves and the jackals.
After several hours of waiting, a youngish jackal approached the waterhole warily – every time any doves flew up, the jackal would stop. This ideal scenario would allow me to capture my imagined image. I focused continuously on the head of the young jackal and clicked the shutter whenever several turtledoves appeared in the viewfinder around the jackal’s head. In total I took seven exposures – four turned out to be duds because the jackal’s face and eyes were concealed by part of a wing or a body of a dove. Of the remaining three images two had worked really well, but one image, in particular, summarised as closely as possible the image I had dreamt up in my imagination – the much gentler, less tense relationship between ‘The Hunter and the Hunted’.
I did not return to this particular waterhole for the remainder of my stay at Nossob Camp. Instead, I roamed around to capture, whenever possible, other fascinating, awesome and beautiful images of the Kgalagadi.
Monday, 28 September 2020
ABOUT THIS IMAGE... ‘Death in the Long Grass’
Whenever I visit the Kruger National Park, South Africa, or any other destination for that matter, bad weather will accompany me. It has become standard upon my return for my family and friends to ask, “How many days of rain did you experience?” (They have suggested that there may be a lucrative future for me as a rainmaker – I know my own luck though, and the day I set forth to bring rain to parched areas of the subcontinent, the bad weather will leave me high-and-dry.)
Jacqui and I had spent a week and a half with incessant rain and skies blanketed in thick grey clouds at Tamboti Camp near the western border of Kruger. Despite the bad weather, our stay at Tamboti had so far been delightful – as any time spent in Kruger always is. I had kept busy with photography throughout, focussing especially on the antics of a resident pair of black-backed jackals that kept me occupied for a large part of our stay. So far, however, the wet weather had kept the larger predators skulking in thick bush – not a tail, not a whisker, had been sighted on this trip.
I avoid long trips on photographic adventures. I travel an average of between 10 to 20 kilometres in the early morning and a similar distance in the late evening. Midday hours are invariably spent in camp. However, on this occasion I relented – it was the last full day we were to spend in the park and we were in desperate need of some supplies (tea and tobacco, as one of my favourite songwriters sings). I decided that a day trip to a different part of the park, albeit in near-constant drizzle was necessary and bearable.
The tar road between Tamboti and Satara camps is just over 50 kilometres long, a good three hour drive excluding any time spent at sightings of game along the way. Just eight kilometres out of camp, two massive hyaena females loped across the road in front of us at speed. They were visibly nervous – while travelling quickly, they kept on stopping to approach dense bushes with caution, heads kept low and backs kept high. On several occasions, they leapt sideways (and even backwards) from single bushes, always resuming their hasty trot across the veld almost immediately. Within minutes, they had vanished over the visible horizon. An all too fleeting, yet mesmerizing, encounter. The rest of the trip to Satara proved to be uneventful.
At Satara, we completed our necessary shopping as quickly as possible. After a mid-morning snack and a relaxing saunter around camp, we set off to head back to Tamboti just after midday. Four kilometres outside of Satara camp, the road was blocked completely by traffic. In the midst of the chaos stood at least half a dozen ‘safari vehicles’ with jeep-jocks and clients. A little further along the road from this heap, the front portion of a dead Impala ram, wedged in the fork of a tree 40 metres from the roadside, indicated what everyone was hoping to spot.
I loathe such Kruger traffic jams. Usually I wend my way through the chaos and continue driving. Revving engines, the chatter of people and the inane lectures and inevitable bad jokes of the jeep-jocks make the hairs on this old dog's neck rise. However, on this one occasion, we decided to hang around. We had dipped out on cats this trip, it was drizzling and we were heading home the following morning. It took me a while to manoeuvre through the knot of vehicles. Once we had left the gridlock behind us, I picked a spot from which we could watch the tree at some distance away from the rumpus. Let's give it an hour.
The coffee (tea for Jacqui), rusks and tobacco had relaxed me. I forgot about time. Now and then shouts from the knot down the road indicated that someone had seen the flick of an ear, the twitch of a whisker, among the dense shrubs and tall grasses. Suddenly the traffic jam roared into life; engines revving, hooters tooting, it came hurtling towards Jacqui and my parking spot. Within half a minute 30 or more cars had engulfed us.
With that, a leopard cub started hauling itself up the vertical trunk of the tree. The effort to do this was massive for such a young animal. At times the cub stuck to the side of the tree-trunk like a flat wall-spider to a rock. The cub made the climb and started sniffing and licking at the dead impala ram whose tongue was still protruding from between tightly clenched lips. All youngsters love to play and this leopard cub fitted the mould perfectly. As if used to star performances, the cub strutted along the big boughs, staring out at the bushveld while standing or perching, then circling its prey at some distance. After a few minutes the cub’s performance was complete – it slipped down the trunk of the tree and vanished.
I turned to look at Jacqui. The delight at her first sighting ever of a young leopard was obvious – her eyes switched from expressions of deep thought to squints of inner laughter. Jacqui then looked at her watch. “You know we have just over an hour to get back to camp?”
It took me more than a quarter of an hour to navigate through the tangle of steel that had surrounded us. This left exactly the time required to get back to Tamboti at the maximum speed limit allowed. I had broken the rules of photographic outings and would now have to travel in a manner that I did not agree with – speeding through a most magical park at 50 kilometres per hour during the last hour of the day. I was disgusted with myself. To make matters worse, the light was fading rapidly because of the dense cloud cover. There was no time for game watching or sightseeing. Both Jacqui and I peered straight ahead into the gloom that stretched out in front of us, concentrating on every dark blob and blotch beside the road, knowing that at the speed we had to travel and in this light an elephant stepping into the road would prove disastrous.
Eight kilometres from camp, as we slid over a rise, the car’s headlights picked up a shape on the road. A very large male leopard sauntered along in the same direction we were travelling. I slowed immediately, allowing the leopard to move at his own pace. As we neared, he decided to head into a thick clump of grass.
I stopped the vehicle some 15 metres ahead of the leopard and set up my camera. I knew from experience that I had an extremely slight chance of making the shot. I knew too that if I could pan the camera at a very low shutter speed (1/5th of a second in this case) and track exactly the movement of the beast, the dense grass in front of the leopard would be blurred to non-existence. With a bit of luck leaving an outline of the beast sufficiently well-defined on the exposure. I took five shots – only one proved useful in the end: ‘Death in the Long Grass’.
We made it to camp just on time, despite the five-minute stop for this most majestic of old hunters. Never again have I travelled like this.
Thursday, 24 September 2020
REMINISCENCES: A Yellow Mongoose Marvel
The Kgalagadi Transfrontier National Park is a favoured destination for local and overseas wildlife photographers alike. The wide riverbeds of the Auob and Nossob, as well as the undulating red dune-fields, provide clear shots of wildlife unencumbered by thick bush. Sadly, I have not had enough opportunities to visit this unique gem in the past.
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