Friday, 15 May 2020

ABOUT THIS IMAGE: ‘In the Hall of the Mountain King’ – The Arm-less Baboon


In December of 2009, my wife and I were visiting the Augrabies Falls National Park in the Northern Cape Province of South Africa. This park is renowned for its waterfall, a place called Aukoerebis (Place of Great Noise) by the original Khoi inhabitants of this very arid, semi-desert and very rocky region of the Nama-Karoo. Here the Gariep River first plummets approximately 60 metres over a narrow lip into a gorge scoured out of a basement of granite rock. The gorge is over 18 kilometres long and averages 240 metres in depth. The sides of the gorge are sheer and polished smooth.

The surrounding countryside is equally spectacular. The vegetation is typically dry, low, open woodland and bushveld. Cutting through this semi-desert environment run ridges of volcanic rock and breath-taking polished granite domes.


This image is Copyrighted © Berndt Weissenbacher/BeKaHaWe. If you like it, you may share this image as presented here under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 License (CC BY-NC-ND 3.0). NO OTHER USE OF THIS IMAGE is permitted without the express consent of the photographer.


On our last day, we visited the falls before sunrise. The mist thrown up by the thundering Gariep was backlit by the first rays of the sun. A half hour later, a small troop of chacma baboons made its way, in total shadow, along the lip of the gorge directly opposite. I was concentrating on these clowns of the bushveld, hoping to spot an exciting composition.


This image is Copyrighted © Berndt Weissenbacher/BeKaHaWe. If you like it, you may share this image as presented here under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 License (CC BY-NC-ND 3.0). NO OTHER USE OF THIS IMAGE is permitted without the express consent of the photographer.


I had been looking at the members of the troop for about 15 minutes when I noticed a straggler at the rear of the troop moving much more slowly and much more deliberately along the boulders of the opposite lip of the gorge.

I could see that this was a female – the engorged behind could not be missed. However, this baboon was bipedal, walking on her hind legs only. Peering through my telephoto lens, I could see that this female baboon had lost both of her hands. Her front legs ended abruptly – they seemed to have been severed in some accident, probably from a farmer’s gin or spring trap.


This image is Copyrighted © Berndt Weissenbacher/BeKaHaWe. If you like it, you may share this image as presented here under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 License (CC BY-NC-ND 3.0). NO OTHER USE OF THIS IMAGE is permitted without the express consent of the photographer.


She did not seem to be too encumbered by her disfigurement as she ran at a trot on her two hind legs. My heart started pounding. What I was witnessing was a primeval scene; I thought immediately of the evolution of a human-like bipedal primate some 4 – 5 million years ago as witnessed in the spectacular fossil record of our ancestors in South and East Africa.

The spray from the waterfall that morning was heavy, frequently obscuring the opposite wall of the gorge. I managed to take only three snaps, the last one as the female was starting to run past a pool of water in a deeper nook of the canyon wall.


This image is Copyrighted © Berndt Weissenbacher/BeKaHaWe. If you like it, you may share this image as presented here under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 License (CC BY-NC-ND 3.0). NO OTHER USE OF THIS IMAGE is permitted without the express consent of the photographer.


When I finally had a chance to look at these extraordinary images after the long journey home, the classical music of ‘In the Hall of the Mountain King’ resounded through my head:

Far away
In a land caught between
Time and space
Where the books of life lay
We fear
This castle of stone
The mountain king roams
All alone in here
But (s)he's not the only one
Lost inside
Forever hidden from the sun…

Edvard Grieg


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